Written by: Daniel
Rairdin-Hale, Hanlon Smith-Dorsey, Joe Zerull
Directed by: Joe Zerull
Starring: Dan Hale, Hanlon
Smith-Dorsey, Yosh Hayashi
When one thinks of shopping
local, things like bakeries, record stores, and farmer's markets
spring to mind. As an Iowan, it's not often that supporting local
business can mean watching a horror movie. Thankfully the most
recent of these rare cases is not only not an embarrassment, it
stands tall amongst its brethren and makes me feel damn proud to say
it's a product of my home state.
Tom is spending a lonely
Christmas Eve in the local watering hole reminiscing about his dead
father with Eddie the bartender, when a blood-drenched man in
janitor's coveralls bursts in. After an awkward exchange about the
bathroom being for paying customers only, the Janitor informs Tom and
Eddie that he just came from the local college where he works. All
the kids have gone home for Christmas vacation, and in their absence
the place has become overrun with zombies! Or more properly
cadavers, because as the Janitor explains, zombies aren't real. He
convinces them to follow him back to the college to show them the
pile of twice-dead bodies he left in the wake of his mop-fu.
On the way out of the bar,
they encounter a cop named Sam and his most recent collar, a young
guy busted for fucking a goat (“Her name is Betsy, and we're in
love!”). Of course Sam refuses to believe the blood came from
killing people who were already dead and wants to take the Janitor to
jail. The Janitor's argument seems a little more persuasive when
they're attacked by a group of people who appear to have shuffled off
this mortal coil and then shuffled back onto it again, so the five
uneasy allies head off to the college.
Once there, they meet up
with the campus security guard and head off to find the office of
Professor Hildencress (played by an older actor named Michael Kennedy
whose voice sounds incredibly familiar, like he was a prolific
voiceover man, except he's only been in three other movies, none of
which I've seen). Seems he was working on a cure for some kind of
viral brain disease that claimed his wife, and inadvertently brought
all his cadavers back to life. Just as they find the notebook that
holds the secret to undeath, Eddie succumbs to a bite he got
previously and the shit hits the fan. Now there's nothing for it but
to fight their way through a building full of undead students and try
to get a warning to the outside world while there's still time.
It's rare to find a horror
comedy that hits far more than it misses. It's rare to find a
no-budget DTV horror flick that feels like it was written by people
with real talent, let alone made with enough care to have been given
more than one or two script drafts. And it's rare to find a flick
copying the “grindhouse look” that does more than slap a couple
of scratches and some extra grain filter on and call it a day. A
Cadaver Christmas is a fucking
unicorn.
I've
seen a lot of exploitation flicks from the 70's. I've seen a lot of
flicks that try to look like exploitation flicks from the 70's.
Never have I seen one that pulls the trick off like this. Not even
Tarantino and Rodriguez's Grindhouse
managed such an authentic reproduction (I think that one was a case
of trying just a little too hard and overdoing it). There are some
outtakes on the DVD that are unaffected and make good comparison
material. It's really quite incredible how much it looks like
watching a vintage Fulci movie on VHS.
Very
few of the jokes feel forced, and much of it is comprised less of
overt gags than subtle hints and suggestions that pay off in a big
way later. My absolute favorite joke in the movie is probably the
least showy in the whole thing, and the setup builds so much and the
payoff is so brief and obvious that you don't even see it coming
until it's already passed and you realize Rairdin-Hale, Smith-Dorsey,
and Zerull have been stringing you along right into it the whole time
with a masterful comic sleight-of-hand trick. The Janitor has tried
to call the police from the college several times, and each time he's
gotten the campus security girl, who informs him each time with a
rehearsed speech that all 911 calls go to campus security first so
she can assess the situation and determine if she can take care of it
or if outside authorities need to be called. He keeps telling her
what a stupid and infuriating system that is, to which she responds
imperiously that she's almost finished with her law degree and she's
been a security officer for two years now. Once the guys finally
convince her how serious the problem is, she immediately tries to
call the police. Cut to the phone ringing at her own vacant desk.
She slams the phone down and storms off. Zerull is so confident in
his direction that he doesn't feel the need to hold the audience's
hand and explain to them why it's funny, and it's just a marvelous
moment. The entire flick is full of little details like that, which
make it obvious that this was a labor of love created by truly funny
and clever people who put in a lot of care and effort to make sure it
was the best they could make it. Not all the jokes are that funny,
but even the ones that fail, fail as a matter of the individual
viewer's taste rather than ineptitude on the filmmakers' part.
Things that didn't do it for me might crack you up. Regardless of
your taste for the material, point is, none of it is ever sloppy.
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