Written by: Barry Pearson
Directed by: Edward Hunt
Starring: Tom Bresnahan, Cynthia
Preston, David Gale
It's kind of amazing the stuff you
could get away with making in the 80s. The appetite for product of
the home video market allowed not only the existence, but the
profitable existence of an endless array of movies that would never
see a major release today. Of course, today we have a veritable army
of direct-to-video studios like Asylum and Brain Damage (are those
guys still around?) cranking out one camcorder opus after another,
but rounding up some of your friends and buying some fake blood and
Halloween costume latex makeup appliances from Spencer Gifts doesn't
represent nearly the mustering of labor and resources that shooting
even a low-budget movie like tonight's feature did. Regardless of
how cheap you think it may look (I see you in the back snickering
about being able to see the stage hand pushing the giant brain across
the warehouse floor slip out from behind the thing and almost biff
it), a movie like this still required the input of considerably more
than a couple of weekends' beer money. So Ed Hunt and company had to
go around to studios and investors and try to convince them that a
movie about a high school bad boy with a heart of gold fighting David
Gale and his pet brain monster wasn't going to wind up costing them a
second mortgage to stay out of Chapter 11.
Jim Majelewski is on the verge of
getting kicked out of high school. He's failing all his classes
despite being noticeably smarter than most of the other kids
(although we meet him trying to scam homework off his girlfriend,
which you'd think he'd be able to hammer out in no time if he was
really such a...dare I start this early in the review...brain), and
his idea of extracurricular activities is flushing blocks of sodium
down the toilet and blowing up the plumbing (before the end credits
roll we see WARNING: The washroom scene is a dramatic representation.
Combining sodium and water may cause serious injury. Do not attempt
it!!! pop up on the screen). The principal and Jim's parents decide
that he will be allowed one more chance at avoiding expulsion on the
condition that he submit to treatment at the Psychological Research
Institute run by Dr. Anthony Blake. Blake also has a very popular
local access talk show called Independent Thinkers.
The
movie seems somewhat confused about both the size of Meadowvale, and
the stature of Dr. Blake. During the opening scene, in which a
mother watches Blake's show while her daughter hallucinates monsters
attacking her, resulting in the daughter stabbing her mom to death
while trying to free her from an imaginary tentacle, Blake thanks his
audience for making Independent Thinkers
the most watched show in the greater metropolitan area, and that they
will be going national very soon. He is later referred to as a
world-famous psychiatrist, and the PRI building is a massive,
futuristic affair that looks to take up several acres, while
Meadowvale is portrayed as a sleepy little town, which don't usually
have greater metropolitan areas. One IMDB poster who said they live
in Meadowvale confirms that it is in fact quite a large city, and
that the PRI building is in fact a Xerox facility. So why would a
world famous psychiatrist who runs an institution the size of an
industrial factory only be able to get a local access talk show?
This dude should have been bigger than Dr. Phil. I realize on the
surface it's because we needed the threat of the Brain's control
signal going global for our heroes to shut down on the night of the
big broadcast, but it's a pretty glaring hole in what is, in most
aspects, a fairly well thought out movie, which makes it rankle all
the more.
Once
inside PRI, Jim is subjected to what he is told is a standard
psychological evaluation, but is in reality a test of his
susceptibility to the Brain's control. The minds of the young and
cynical have been giving the creature difficulty, and the result of a
mind rejecting its thought patterns manifests as hallucinations and
violent psychotic episodes. After failing his initial test, Jim is
placed in a cell which he stays in for all of ten seconds before he
goes walkabout and sees Blake talking to the Brain. He manages to
escape, with Blake's henchman Verna (played by George Buza of the Red
Green Show and human schnauzer
impersonator extraordinaire) hot on his heels.
Janet
and two of their friends come to rescue Jim, but only Janet and Jim
make it out alive. The other two are brain chow. They go on the
lam, but where do they run when every figure of adult authority in
the entire town has already been brought under the Brain's control?
The couple hide out in the school until they can figure out their
next move, but while Jim grabs a cat nap, Janet turned on a TV,
presumably to look for news regarding the search for Meadowvale's
most wanted. Unfortunately, the TV was tuned to the public access
channel, and when Jim finds Janet, she's already been hypnotized.
Now Jim must return to the PRI facility (which apparently also houses
a TV studio capable of boosting a nation-wide signal, once again
bringing up the question of why the hell Independent
Thinkers was ever a local
program) and expose Dr. Blake and his monstrous master before the
whole world winds up feeding the Brain. Hey, it's still better than
watching reality TV.
Blake
is exposed as nothing more than an ambulatory blob of protoplasm that
acts as a mouthpiece for the Brain, but even after the world is safe
from becoming drooling slaves, Jim and a now-fully-aware Janet now
have to escape the furious, carnivorous alien Brain chasing them
through the boiler rooms of the PRI complex. Wait, did that cabinet
say, “DANGER: SODIUM IN USE”? I wonder if Jim saw Horror
of Party Beach on TV as a kid?
As I
said before, a few glaring plot holes aside, The Brain
is a pretty clever little flick. It even gives the old monster movie
trope of the adults not believing the kids that there's a monster on
the loose some logic beyond the fact that that's just how things work
in these movies. Every kid who has attempted to warn someone that
Dr. Blake is plotting dastardly deeds has wound up having a psychotic
fit and killing themselves or their parents. I don't know about you,
but I wouldn't feel terribly inclined to believe anything being told
me by a person trying to stab me to death!
The
clothing and hair styles, not to mention the plot and the monster
itself (tell me you wouldn't love to see a team-up movie featuring
the Brain and Gor from The Brain from Planet Arous),
all have a wonderfully retro 50's feel, but updated with some gore
and nudity for 80's horror sensibilities (John Agar may have pushed
the boundaries of good taste but he never got to cut anyone in half
with a power saw). The biggest disappointment of the movie is that
David Gale never gets to cut loose the full power of his
scenery-devouring insanity like he does in Re-Animator
and Syngenor. Dr.
Blake is a pretty low-key dude, which is understandable when he's on
TV giving motivational speeches to housewives, but during the lab
scenes and the final confrontation with Jim, it would have been nice
if Ed Hunt had let him off the leash.
It's
not quite on the level of something like Night of the
Creeps, but if you're looking
for a fun, fairly smart, if rather impoverished genre homage/pastiche
with a memorable monster design and some decent performances (or if,
like me, you just get a kick out of seeing people from the Red
Green Show in other things), you
could do a lot worse than spending 90 minutes with The
Brain.
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