Written by: Stephen Volk
Directed by: Ken Russell
Starring:
Gabriel Byrne as Lord Byron
Natasha Richardson as Mary Shelley
Julian Sands as Percy Bysshe Shelley
Timothy Spall as Dr. John Polidori
Laudanum
was first created in the 16th
century by a Swiss-German alchemist named Paracelsus. After finding
that opium alkaloids (natural substances found in the resin of the
opium poppy, which include morphine and codeine) dissolve in alcohol
a lot better than in water (making them more fun to boot), he
presumably discovered that turning lead into gold wasn't the only way
to make a pile of money. Since then, the formula has changed time and
again to include just about every random thing you can imagine (the
original recipe included crushed pearls and amber, because why the
hell not). These days, the alcohol content (as well as the crushed
pearl and fossilized tree sap content) has been greatly reduced, from
nearly 50% to less than 20%. It is regulated as a Schedule II drug,
and is still available in the United States by prescription to
control pain and rampant diarrhea. Ironically, this tincture has been
shown time and again throughout history to also cause
diarrhea. Diarrhea of the art.
I wanted to like this movie, I really
did. As a writer myself, the romantic idea of days gone by when
patronage was a thing and creative types would have their living
expenses paid by rich friends or fans, or to simply be an
independently wealthy aristocrat, so they could spend their entire
existence living life to the fullest and concentrate their energies
on their craft is an extremely appealing one. The downside to this
being that, due to a combination of addictions and no
responsibilities to tie them into the realities of everyday life, a
lot of these artistic geniuses tended to be pompous, insufferable,
self-absorbed rectal infections and spending 90 minutes watching them
prance around spouting nonsense and acting like a bunch of prize
cunts isn't the most enjoyable way to pass the time.
This movie purports to tell the tale of
that fateful night at Villa Diodati when Lord Byron hosted a literary
competition between his friends to write the most frightening story
they could come up with, and an 19 year old girl changed the face of
horror forever. There isn't really much tale telling, though. Almost
immediately after the Shelleys and Claire Clairmont arrive at the
villa and see Dr. Polidori suggestively petting a goat, everyone gets
good and sauced on laudanum and the rest of the movie is an
occasionally visually interesting but mostly tiresome and pointless
succession of scenes that were no doubt meant to shock and stimulate
and engage the audience's very souls, but instead leaves you checking
the timer to see if it's over yet and wishing you were watching one
of the Universal Frankenstein
movies instead.
What do you mean,
synopsis? That was my synopsis. Absolutely nothing of note happens in
this movie. There is no real story to speak of. It's just a bunch of
drunk and stoned people running around a mansion. It's got a great
cast, who are all completely wasted on this pointless drivel. Even
Timothy Spall, who I'm usually a big fan of, is almost unwatchably
annoying here.
I get
why Russell made this movie, why he would feel a connection to the
characters. By many accounts he was a bit of a chore to work with
too. He was certainly capable of making entertaining movies while
still giving free reign to his instinct to be a visually weird
director. Altered States
is a great flick, and I absolutely love Lair of the White
Worm. It just feels to me that,
with Gothic, he got
too wrapped up in trying to make an Important Film ™ and forgot to
make a good one.
Check out what my fellow voyagers of the mind Russelled up for this roundtable:
Checkpoint Telstar - The Devils
Micro-Brewed Reviews - Altered States
The Terrible Claw Reviews - Lair of the White Worm
Tomb of Anubis - The Fall of the Louse of Usher
Web of the Big Damn Spider - The Boy Friend
Check out what my fellow voyagers of the mind Russelled up for this roundtable:
Checkpoint Telstar - The Devils
Micro-Brewed Reviews - Altered States
The Terrible Claw Reviews - Lair of the White Worm
Tomb of Anubis - The Fall of the Louse of Usher
Web of the Big Damn Spider - The Boy Friend
I think Salome's Last Dance (which he made after Gothic) has a similar theme but conveys it much better. The ending to the former certainly has a much nastier kick to it than anything in Gothic. The only downside is that it makes Oscar Wilde look like a total asshole, which he doesn't really deserve--Lord Byron was a much more appropriate target.
ReplyDeleteThat should say, which he made immediately after Gothic...
ReplyDeleteReminds me of the few times I went to parties in high school. Being the only sober person amid a population of drunks is ass. Dirty, smelly, beer sweaty, unwiped ass.
ReplyDelete