Written by: Al Kaplan, Jordan Rubin,
Jon Kaplan
Directed by: Jordan Rubin
Starring:
Cortney Palm as Zoe
Rachel Melvin as Mary
Lexi Atkins as Jenn
If there are two things almost every
serious horror fan is sick to death of these days, it's stupid
self-aware ironic Sci-Fi Channel/Asylum killer animal movies and
goddamn zombies. Of course, sometimes writing off entire genres can
come back to bite you in the ass by making you miss out on a good
flick. Luckily I also have no taste and very little self-control, so
even though I have no interest in the latest
Sharktacondapusasaurusrexadactylarantula movie, the idea of zombie
beavers was just too ridiculous for me not to give it a chance. And
hey, the zombeavers are practical effects, so that's a plus.
I knew I had made a good choice from
the very first scene, during which two slacker truck drivers (played
by comedian Bill Burr and, I shit you not, John Mayer) hauling a load
of toxic waste (I sincerely hope the people charged with moving that
stuff around in real life are considerably more competent than these
two) hit a deer because they're too busy texting and sharing bizarre
sex stories. They're worried enough about the damage to their truck
that they don't notice one of the barrels was jarred loose in the
impact and rolled into the lake they're driving past. A funny and
efficient setup that leads to a delightful animated credits sequence
that would have let the movie skate by on that alone even if the rest
of it sucked.
Now we meet our main characters, Mary,
Zoe and Jenn. The three are sorority sisters, and are on the way to a
cabin owned by Mary's cousins. No points for guessing it's the same
lake the barrel of toxic gunk fell into a few minutes back. The
vacation was originally going to be a three-couple sexathon, but Jenn
discovered her boyfriend Sam cheated on her so Mary changed the guest
list to girls only at the last minute. Zoe, the requisite oversexed
bitchy one, also brought her dog.
The girls go swimming their first day
at the cabin, where they spot a beaver lodge covered with green crud,
and have a run-in with a local trapper named Smyth. He's a great
character, whom we're never really supposed to be sure if the girls
are safe with or not. Rex Linn plays him perfectly, and trying to
figure him out is one of the highlights of the movie.
That night the girls are playing some
slumber party games when they're interrupted by a loud bang at the
front door. Zoe goes to investigate, but it turns out to be just the
girls' boyfriends, Tommy and Buck. Except they brought along Sam.
Awkward tension ensues as Jenn and Sam sit on the couch and fight
about his infidelity while they listen to their friends having sex in
the bedrooms. Awkward tension is broken by the appearance of what
they assume to be a rabid beaver in the bathroom. Tommy beats it
nearly in half with a bat and they toss it outside in a garbage bag.
The next morning, everyone decides to
go for a swim. The bag on the porch is torn open and the beaver
carcass is missing, but they write it off as a wild animal scavenging
its supper. Things change quickly when the swimmers are surrounded by
a gaggle of ravenous undead beavers. Jenn, who refused to get in the
water with her scum of an ex, hauls ass back to the cabin to call for
help. Unfortunately for her, the beavers chewed through the phone
line, the cabin is remote enough to get no cell reception, and that
bisected beaver carcass is neither as inanimate nor as eaten by
scavengers as they had thought. Shortly after the rest of the group
get back to the cabin (Sam further proves what an utter douche he is
by using Zoe's dog for bait), they find themselves surrounded by an
army of zombeavers, summoned by the one Jenn pinned to the counter
with a knife slapping its tail against the cutting board. Things
continue to get worse and worse for the kids until Smyth arrives with
a truck load of guns and it seems they're rescued. Unfortunately, it
seems the beavers have seen Creature from the Black Lagoon.
What's worse, a bite or scratch from one of these little bastards
works much the same way as it would from a human zombie. Notice I
said much the same,
not just the same.
I was expecting to have to lodge a
complaint against this movie and the filmmakers, and I was dam glad
to have been proven wrong.
Go ahead and finish mentally punching
me in the groin, I'll wait.
Horror comedies are a notoriously
difficult thing to pull off. They're frequently a fallback device
used by lazy morons who don't know how to make a serious movie be any
good, and figure a few dick jokes, naming some characters after
famous horror directors, and misquoting a few lines of dialog from
better movies will be funny enough to make the audience not notice
that their movie sucks more dicks than a cheap hooker who hasn't had
any meth in a week. Thankfully that's not the case here. Sure, it's
not all roses. We're reminded about a dozen times too many that Rubin
and the Kaplans know “beaver” can be a double entendre. Other
than that though, the jokes mostly work really well, be they dialog
(Sam, delivering the line deadly serious: “Guys, we can't turn on
each other right now. That's just what the beavers would want!”) or
be they sight gag (the Whack-a-Mole scene...holy shit the
Whack-a-Mole scene).
Not only is the movie surprisingly
funny, it's unexpectedly well thought out. As much care as was taken
making sure most of the jokes worked, an equal amount of care was
taken on the structure of the script. A great deal of the material is
setup for things that pay off later, and not just from a punchline
standpoint. The filmmakers made sure their story made sense (and that
they actually had a story), flowed well, and that we gave a damn
about the characters (and just as much credit for this last goes to
the actors, who all put in some fine work). There are some nice
twists and turns of character that make our protagonists come to life
in nuanced and multi-dimensional ways that you don't often see in
this type of movie. Some of the scare scenes even have a bit of a
kick to them. No matter how intentionally silly the beaver puppets
look, being attacked by animals in the woods is one of the most
ancient and deep-seated fears in the history of mankind, and even the
clumsiest filmmaker would have a hard time making glowing eyes in the
dark just outside your windows not look at least a little creepy.
You'll also want to stay through the
end credits. From the fun outtakes, to the silly lounge music theme
song, to the (literal) stinger scene, it's all worth a look. And keep
an eye out for the No Animals Were Harmed disclaimer.
There you have it. Zombeavers
is that rarest of animals, a horror comedy that works as both things.
The emphasis is definitely more on the comedy side of things, but
there's enough gore splattered around to keep the hardcore fiends
happy too. If you've been hankerin' for some yuks with your yucks and
other recent entries in the subgenre like WolfCop
left you feeling a little cold, check this one out. I think you'll be
glad you did.
Yes! I love this movie! And I usually hate horror comedies, but this one is great. I think a big part of it is that the movie mostly plays it straight--there aren't many "wink, nudge" moments. The director was content to let the humor flow naturally from the sheer absurdity of the situation.
ReplyDeleteThe movie is also a testament to the benefits of practical effects. The beavers are fantastic. Even though they are obviously puppets (and adorable puppets, at that--I totally want a zombeaver puppet), they are oddly effective monsters.
And the opening credit sequence alone is worth the price of admission.