Written by: Wayne Crawford, Harry
Kerwin
Directed by: Wayne Crawford, Harry
Kerwin
Starring: Wayne Crawford, Jason Evers,
Roberta Leighton
Some day, there won't be another Jaws
ripoff. Of course, that will be the day our dying sun expands to the
point where even the deepest underground bunkers aren't enough to
protect Dick Cheney's robotic exoskeleton from being melted by heat
and unadulterated solar radiation. Even then, a small reserve of Sy
Fy Channel and Asylum executives in a special lead-lined bubble will
be preparing the holo-cameras to start filming the human race's last
Olen Ray descendant's current shark movie.
However,
I'm willing to bet between now and that fateful day when the universe
finds out what happens when a dying star touches the molten ball of
hate-plasma at the core of Cheney's evil being, none of the Jaws
ripoffs will be driven by the fact that the fish are angry because
the government made them hypoglycemic!
When a pair of
divers is torn to pieces by a school of barracuda, university
biologist Mike Canfield and his students start taking water samples
in the ocean near shore. Mike has been looking for an excuse to take
the local chemical plant to task for unlicensed dumping, and the
brutal dismemberment of a couple of divers seems like as good an
excuse as any. Of course, Papa Jack, the plant's owner, is none too
happy about this, and since he pretty much owns the town, it's a
simple matter for him to have Mike thrown in the Mayberry-like jail
on trumped up charges.
Sheriff
Ben Williams doesn't like Jack much more than Mike does, but his
hands are tied. While Mike is being held, Williams's daughter Liza
brings his meals, and they strike up a relationship that's an almost
refreshing reversal of what we're used to seeing in movies like this.
I say almost refreshing because while Mike obviously is attracted to
Liza, he refuses to sleep with her immediately when she throws
herself at him, treating her with respect. Unfortunately, the
filmmakers felt the need to compensate for Mike's restraint by having
Liza throw herself at him to the point that it makes Dizzy's plays
for Johnny's affections in Starship Troopers
look like the actions of a mentally stable and well-balanced
individual. Mike is still your typical 70's science-action hero,
bursting at the seams with cockiness and disdain for anyone who isn't
as awesome as he is (and, of course, no one is as awesome as he is).
He just gives Liza an opportunity to show a little self-respect,
which, this being a 70's science fiction/horror/action movie, she
slam dunks into the shitter with even more vigor than usual to make
up for the fact that the man attempted to treat her like a human
being for a minute there.
Meanwhile, Mike is
noticing that everyone around town is acting uncharacteristically
aggressive and irritable. He confronts the town physician, Dr. Snow,
about it, and something seems fishy (I've been doing this far too
long for any of you to act surprised that I went there) about the
man's story and behavior. Not to mention the men in dark suits
working closely with Papa Jack lurking around town. Eventually it
comes out that Dr. Snow is in on the conspiracy as well. The suits
are government agents, working with Snow, whose published research on
hypoglycemia has made them think a chemical agent that would make
whole populations of enemy combatants hungry and irritable would be a
very useful tool during wartime, and Jack's factory is a perfect
manufacturing and distribution center to test the chemicals. So what
if the waste products turn the surrounding ocean into a swimming pool
of death, they're the government, and this is the 70's! So everyone
gets their glucagon levels out of whack and neuroglycopenic insanity
ensues.
This movie reminds
me of nothing so much as an eco horror novel called The Lake,
which I can't remember the author of, can't find my copy of, and
can't find an image of the cover online. But trust me, they're
similar. That book promised a giant, mutated fish chowing down on
anyone from a small lakeside town foolish enough to enter the water,
and instead had maybe two scenes with the fish and a bunch of corrupt
corporate shenanigans making up the rest of the story. This movie's
alternate title, The
Lucifer Project, while
more honest, wasn't going to put butts in seats in a post-Jaws
world nearly so much as making people think it was primarily a killer
fish movie, and so Barracuda
it was. And that's really too bad, because despite the fact that all
the evil government stuff is actually handled pretty well, with a
nice grim ending that plays like The
Crazies relocated to
Amity, the few fish attack scenes are some top shelf stuff. Sure,
maybe a couple of the rubber barracudas had started to deteriorate so
much from the salt water that it would appear they were suffering
from leprosy as well as hypoglycemia, but no punch was pulled that
the budget had the ability to deliver, and we get plenty of roiling
blood clouds and shredded body parts drifting slowly and lovingly
past the camera to give the audience an eyeful.
Even though I went
in expecting more killer fish, and the movie blows its best attack
sequence immediately after the credits, there's enough good stuff
here to outweigh the bad, which isn't all that bad anyway since it
provides plenty of its own special brand of inadvertent
entertainment.
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