Written by: Mark Buntzman and William
Sachs
Directed by: Mark Buntzman
Starring:
Robert Ginty as John Eastland
Mario van Peebles as X
Frankie Faison as Be Gee
Deborah Geffner as Caroline
Despite the fact that the two movies
bear only the slightest resemblance to each other, I could never keep
Exterminator 2 and
Executioner Part II
straight in my head. Probably because virtually all of that
similarity is in the titles. Thus it was that when I put this DVD in
the player to get ready for this round table, I was convinced I was
about to see a vigilante hero shoving grenades down rapists' pants
for 90 minutes, despite the fact that I couldn't remember Mario van
Peebles having anything to do with it. Turns out I had it wrong, and
this is the Cannon-ized, Death Wish-ified
sequel to 1980's Exterminator.
I believe that confusion is intentional on the part of the makers of
Executioner Part II,
as there is no Executioner Part I,
and Executioner Part II
is almost certainly a cash grab at some of the box office for this
higher profile picture that came out the same year.
I'm
not really sure how Cannon Films came to be making a sequel to a
movie that came out four years previous (I didn't have time to listen
to the commentary before going to press with this, it's possible the
beans are spilled therein) and wasn't a monstrous hit to begin with,
but I imagine it had more than a little to do with the fact that
their Death Wish
series was raking in the bucks. They had already been doing those
for a decade by this point, and Bronson wasn't getting any younger,
so I'm sure it seemed like a good idea to have another franchiseable
vigilante character in the stable, and any name recognition is better
than none at all. Problem is, Paul Kersey is a likeable, sympathetic
everyman character who is forced to extreme action because outside
forces back him into a corner. So was John Eastland the first time
around. In this installment, Eastland is a gigantic loser who
manages to get everyone around him killed because he's absolutely
fucking terrible at being a vigilante.
The streets of New
York have been relatively crime free for four years. The threat of
fiery death from the vigilante known as the Exterminator has sent
most of the thugs packing to safer territory. However, there's a new
kingpin in town. His name is X, he dresses like one of the more
outlandish pro-wrestlers at the height of their mania for wacky
costumes, and he's organizing every two-bit hood rat in the city into
a highly efficient criminal army to take back what he feels are their
streets.
Meanwhile, John
Eastland hasn't held a steady job in four years, but somehow he
manages to belong to a members-only nightclub that offers free beer
and the debatable allure of a middle-aged Broadway failure doing
spazzy step-aerobics to terrible synth pop without ever removing a
single article of clothing. One night he hears a robbery in progress
on the police scanner, and discovers some thugs have killed the
owners of a small convenience store. The thugs get toasted, and soon
the word is out that the Executioner is back. X is furious that his
revolution is in danger of being over before it starts, and so the
hunt is on for the man behind the welding mask. Too bad for all
involved, John just hooked up with Caroline the club dancer and got a
job with Be Gee the freelance garbage truck driver. Now X will have
some soft spots to strike at to bring John down.
The
biggest problem with this movie is that the bad guy gets all the good
humanizing moments. We spend far more time getting to know X than we
do Eastman. Granted, this is a sequel, but it's a sequel four years
after the original. The only character development we get with John
before he basically becomes a slasher for the last half of the movie
is that he has no job because of reasons. He starts up a
relationship with Caroline for the sole purpose of having her killed
off to up the stakes at the end, but there's no real chemistry or
feeling of interest generated in the audience. Compare that to X's
impassioned speech about his men not deserving to die because they
never had a chance at a real life and have to fight for survival –
never mind that they killed an innocent old couple and that it
certainly wasn't their first violent crime – and you kinda start to
wonder why you're supposed to root for the bum with the flamethrower.
Well, it's because he wears an Army jacket, stupid. That's
shorthand for “hero”, even if our hero's big happy moment before
things go south is drunk driving a garbage truck he barely knows how
to handle through crowded city streets so he can get laid.
Thinking about it that way, this almost
becomes an anti-vigilante movie, with the villain being the deeper
character and the ostensible hero becoming, as I said earlier, almost
a slasher figure. Granted the criminals are still criminals, but at
least their faces aren't hidden behind masks the whole time. Take
away the hero's face and he becomes an inhuman engine of destruction.
Put that engine up against a guy who can make speeches that can
almost turn you sympathetic to violent thugs, and you really are left
wondering whose side you're supposed to take. Except you're not at
all, because they killed Caroline and Be Gee, and John was in the
Army, and he has a totally boss garbage truck he converted into a
tank!
No, of course the movie doesn't really
have layers like that. It's a Cannon Films vigilante action movie
ferchrissakes! The reason it seems so disjointed is that there was
barely two weeks of prep time from, “Hey, we're gonna make this
movie”, to “Hey, start making that movie.” Mark Buntzman, who
was a producer on the first Exterminator,
wrote the original script and shot the original cut of the flick.
The Cannon boys didn't like the way it ended, with Caroline surviving
(once again, it's a Cannon vigilante movie, if the women aren't all
raped and dead by the end of the second act, you did it wrong) and
even saving John and getting the final, killing shot on X, so they
called in William Sachs to “fix” things, which I have to assume
made them considerably worse since the guy who worked on the first
movie probably had a much better handle on how things should go.
At least it had a
cool garbage truck. And Irwin Keyes's character from the original
magically coming back to life.
Cinemasochist Apocalypse is simply the glass of orange juice in the complete breakfast of the Cannon Fodder roundtable, honoring the recently departed Menahem Golan, and discussing the films of Golan-Globus and Cannon Films. You can
read more at your local library, and at these other fine sites. But you
don't have to take my word for it.
Terrible Claw Reviews: Lifeforce
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